Goldsmith Pamela Hitchcock


The pieces in this collection represent thirty years experience creating gold and silver jewelry. I began studying jewelry design at an art center in New Hampshire when I was in high school. This course was followed by a two year, full time apprenticeship with a master silversmith. The League of New Hampshire Craftsmen then accepted me as a state juried member, and I continue to exhibit in league stores throughout New Hampshire. My work can also found at galleries from Connecticut to Maine.

My jewelry is handmade in every sense. Each piece is worked by my hands alone, from concept to finish, one piece at a time. Great care is given to detail, resulting in work that is both personal and impeccable. My designs are inspired by the beauty of the natural surroundings in which I live and work. I take great pride in my work and am happy to share it with you. See Pamela’s work at Arts in the park and at

Meet Nancy Shaul of Westport Pottery


My name is Nancy Shaul. I have been potting for a living since completeing my formal education in 1978. Moving to Iowa I started my first studio pottery business, selling my pieces through my shop and midwest art festivals. Now I am potting on the beautiful coast of Maine. A wood heated studio in the winter months and the rural island location has made this a delightful place to create !  I enjoy the whimsy of “playing” with clay and the joy of making items that will be used daily. Each creation, whether taken from my “useful pieces” or Whimsical Pots” series, is hand- crafted with great attention to detail. Please note that each piece is unique, thus color and form  will vary slightly. All items are watertight, oven, microwave, and dishwasher safe. About my glazes: I work in earthtones, blues, greens, terra cotta reds, and soft whites. The variety of glazes I choose to use work best with my gas kiln, are very durable,and suit the style of my work. The glazes I use are predominately  creamy white, soft white, woods green, soft green, terra red, spodumene natural, rutile blue, and a green/turquoise .

Ron King  of Ron King Design Studio


From a very early age I was attracted to textiles. When I was five years old, my mother taught me how to knit and I have been knitting every since. In college I discovered I could actually study textiles and, so, learned how to weave. For graduate school,  I had the good fortune to study textile design at Cranbrook Academy of Art, and since then, I worked as a textile designer in NYC, taught design and textile design at a number of colleges, and have worked as a production weaver.

My primary interest in textiles is in the design and production of functional fabrics; and my continuing fascination is rooted in the fundamental aspects of and the exploration of the structure of fabric, the interaction of fibers, and how colors, textures and patterns are created.

Patrick Garrett of Maine Cedar Adirondacks


My name is Patrick Garrett. I’m a retired state worker that loves to build things for fun in my garage. My wonderful sidekick Doc (pictured below) serves as my quality control operator. I started building cedar lapstrake skiffs in my free time when I was around 25. At the end of the day, I would sit on a plastic milk crate and admire my boats while drinking a beer or two. That’s when it dawned on me; I could do better than sitting on a milk crate and so I started building my first cedar Adirondack chair.

Over a short period of time many friends and neighbors wanted these chairs , often asking for a table to go with the chair or an ottoman along with other things. Over what is now around 25 years of building furniture I have listened to my customers of what they like and what they do not like. I use quality Native Maine White Cedar, Stainless Steel Screws and Galvanized bolts. I custom build each and every piece myself. My work is by no means factory standard but is made all by hand with as much attention-to-detail as any carpenter can provide. When I state my furniture is hand made; it all is. I enjoy building quality strong furniture that will last and I enjoy the expressions of those my work speaks to.

I have a small shop at my home where, now that I am retired from working for the State of Maine, I have more time to devote to my business. Most of my sales are from word of mouth, my web site and three local craft fairs through which, I am a vendor. Please look me up and come and enjoy.



Art is a diverse range of human activities and the product of those activities. The visual arts include the creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or science.
As an artist then, Christopher Augustus career has evolved in stages. Early in life he developed creative skills, designing and creating Prostheses, working with a wide variety of media. As an accomplished chef Christopher again used his artistic talents to create fine cuisine, another art form. Working with wood he designed and made wood sea kayaks and small boats. At each stage polishing and refining skills.
Today Christopher continues to break into new territory, creating interpretive reproductions of classic antique fish lures. Each hand crafted and designed as the ultimate gift for your fisherman.
The force is with him.
See his amazing lures at Arts in the park and at

Steven Manning Metal Smith


Steven Manning, designer & metal smith, has been transforming antique silverware into unique and captivating art objects for more than 25 years.

From windchimes to vases, fish sculpture to mobiles, to snowboarders and skiers as a nod to the studio’s vermont home, you’ll never look at silverware the same way again!

See Steven’s work at Arts in the Park and at

Peggy Clark Lumpkins Artist


I have been a painter for 50 years now.  In the beginning I went to a local art school after grammar school, on Wednesdays, and then, since I grew up in NYC, I got to go to the High School of Art and Design.  When that magical 4 years were up, I moved on to The San Francisco Academy of Art for my first year of college, then returned east for my second year at Pratt Institute.  At this point though, I knew what I wanted to paint.  I needed to paint what I loved and not what my teachers desired, so I took a leave of absence and never looked back.  I’ve been on my own, painting-wise, ever since.
The clearest way for me to say how I feel about what I see is to paint it.  There are no words to say everything as clearly as I can with my brush and colors.
The first part is joie de vivre, it’s loving the world.  One must love what one paints.  First you go out into the world wide open, and when you fall in love with a flower,  a cloud, or a shape, or a line in the sand (or all of the above!), Then you begin to paint.  Even before you have a canvas the paint has begun to flow.  It flows first as a sort of dance inside my being, it swirls around in there and becomes a part of me, at home with all the other paintings that make up myself.  The whole world is a painting to me.

When words fail, as they so often do, Paint!

Painting is a love letter to being alive.  It’s a thank you note to the living world, to time, to the moment, the flowers, the surf, the wind, the moisture in the air….
Some people think I make up the clouds, but instead, the clouds make up me.
We moved to Brownville, Maine in 1987 to build our house and gardens.  We raised and home schooled our two sons inside the embrace of art.  They often accompanied me on plein air trips, all of us setting up our easels somewhere on the coast of Maine.  Even though they are out on their own now, I still feel their warmth and laughter when I go out painting.

Even though I have been painting for 50 years, I still feel like I am just getting started, rubbing my hands together in excitement for the next piece.   See Peggy’s work at Arts in the Park and at

Becky Wright Potter


I have always thrived in a creative environment, and it all started with making mud pies in the back yard as a child and having a blast getting messy. I spent my time playing, collecting eggs and helping around our little farm in Vassalboro, Maine. My mother was always incredibly supportive and encouraged me to work on craft projects, painting and coloring at the kitchen table. That love of creativity turned into a serious music passion at age 10 when I started to play clarinet. I was an extremely talented solo clarinetist all through middle and high school, and always taking art classes at the same time. When the time for choosing a college major came, I chose art over music.


In college, I took ceramics and felt like I was coming back to myself after many years away. Moving clay around with my hands felt familiar and brought a tremendous feeling of happiness and calm. After getting an Art degree, I made my living teaching elementary art in Maine for 19 years and making and selling pottery on the side.


Now a full time potter, I spend my work days in my home studio. Living in South Portland, I am surrounded by all the things I love: the ocean, trees, rivers and horizons all inspire my work. And the community gives me a strong sense of belonging. My family’s excitement for my work is seen everyday in my home. My husband has his favorite Becky mug for coffee. Having my studio in my home allows me the precious time needed for our three kids. One of our three cats is always my studio buddy, hardly ever knocking things over.

Enjoy Becky’s work at Arts in the Park and at

Photographer Scott Perry


For many years I worked throughout Maine as a freelance photographer primarily for the Associated Press and the Maine Times. My photos appeared in newspapers and magazines around the world including Newsweek, the New York Times, USA Today, and National Geographic Magazine. I enjoyed capturing bits of history on film and sharing it with others through the news media. However, I often found myself wanting to get more into my pictures than the normal window of view regular 35mm cameras could provide.

I currently work with specialized panoramic film cameras and digital cameras to capture wide landscape views of Maine, New Hampshire and beyond. I print and frame my landscapes in my studio located in Farmington, Maine. They are available for purchase online and  at selected art shows and galleries.

My goal is to create views within the confines of a picture frame that are so expansive and magnificent, they will make you feel you are at the place the picture was taken. I hope my photography will rekindle your memories of a special place and help you share the beauty of that special place with others.

See Scotts work at Arts in the park and at

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